![]() ![]() The String-specific instruments include Sul Tasto (by section and ensemble), Long and Short notes, Clusters, Effects, Chords and Octaves among others. But the string sounds by themselves are excellent and the interface is very user friendly and intuitive, and deserves mention here. I’ve included the Symphobia 1 library even though it is not strictly a string collection and includes a full selection of orchestral samples, as well as mixed ensembles. This collection is perfect for creating contemporary textures and transitions as well as precisely defined ostinati. ![]() Referencing the manual is essential to take full advantage of what is available. Spitfire instruments, in general, have intense functionality and offer the user significant control. The Ostinatum section offers a programmable rhythm generator and arpeggiator capable of everything from chaotic textures to precisely defined rhythms.Īrticulations include Sul Ponticello, Sul Tasto, Harmonics, various types of Vibrato and several extended techniques like transitional textures (Granular to normal), Spectral Scrubs, Granular Trem, Twitchy and a “unique Detuned Open String” setting for all sections. Time Machine – These patches contain all of the short articulations fully loaded into RAM so that you are able to vary the length of the short notes via CC. Light – Stripped back articulations that reduce the stresses on your CPU. ![]() Other Patches which contains three other articulation types: Economic – A pre-curated smaller selection of articulations which won’t break you RAM bank.Individual Articulations – each separate articulation in its own patch.Extended Techniques – contains ‘core’ and ‘decorative’ techniques for each section and can be viewed as the next stage in detail up from the ‘basic’ startup patches.It's something they couldn't maintain, the whole conversion was handled entirely by Chickensys, not by them.This library is organized into three general folders and five categories of Kontakt instruments: (description from the manual below) I assume this was one of the reasons why they actually completely removed the 3rd party sample format import in Kontakt 6. The 3rd party sample format import in Kontakt was done entirely NOT by NI, but by Chicken Systems. Why support a vendor that screw you over.and crap, I thought I was going to be short. I made a bunch of libraries for brass and drums before in Vsampler and was much easier to use than Kontakt also - in my view. This is showstopper things in my world - also using it making my own stuff. Obvious bugs should be acknowledged and on todo list so further down the line it is fixed after some upgrades years later or so - but no hope of this. So I bought a Kontakt product library and used player at first and found bugs, and then upgraded to full version Kontakt to use as I've done a couple of libraries in Vsampler before.Īnd NI staff would not recognize problems I got - which I felt was unacceptable. I read automatic mapping to notes as it should. And this was four layers and first time using it - it would be done in 30 minutes now that I know Independence. I later made a library in Magix Independence Pro in two hours and done. I gav up - I would not go an load every single sample manually if I could avoid it. ![]() I contacted them and they would not acknowledge this either. If started with a zero, like _05_ - all were mapped on midi note zero - so unusable. The automatic loading and mapping should work fine - but there were a bug regarding reading the sample names - if a number started with a zero - it could not be a name _05_ it had to be _5_. So I tried to remedy this by creating a new library from samples now on disk separately. I told them how a 7 year older Vsampler did it right. They would not acknowledge this at all as their problem, and referred to library maker. I loaded the same library in Vsampler and there this gig-file loaded perfectly. You could see also playing one note - triggered two samples on some velocities. Around 40-60 in velocity there were many samples and why there were frequency cancellation stuff. Looking inside - I could see that samples overlapped in velocity that were to be fully separate. Sounding not right, very harsch on certain notes in middle velocity, and I started to investigate. Then I found a library in gig format - and loaded in Kontakt. Over time they acknowledged this - fixed it - and I was happy for a bit. I bought a VIR Mojo Horn section - and got some strange results when reloading a project - fluttering samples and sounding not right. We were over this a couple of years ago - but repeat in short. How about some more info regarding this? What specifically were you experiencing? ![]()
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